Arcom will welcome Bénédicte Lesage and Antoine Boilley

Two new faces should soon join the college of the Regulatory Authority for Audiovisual and Digital Communication (Arcom), the former Superior Audiovisual Council. The arrival of Bénédicte Lesage and Antoine Boilley will be fully confirmed when a decree is published in Official newspaper in the next few days.

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Proposed by the President (Renaissance) of the National Assembly, Yaël Braun-Pivet, Mme Lesage was heard by the National Assembly’s Committee on Cultural Affairs and Education on Tuesday, January 24 at the end of the afternoon, for more than an hour and a half. The 62-year-old producer received a positive opinion (27 votes in favor, 11 votes against). She had to obtain a three-fifths majority of the votes cast, ie 23 favorable votes.

After having been director of fiction for the M6 ​​channel then director of youth programs for France 2 in the 1990s, Bénédicte Lesage created and co-directed until 2017 the production company Mascaret Films (which produced feature films, in particular skirt day, by Jean-Paul Lilienfeld, published in 2008). She is to replace Jean-François Mary, who until now chaired the audiovisual, cinematographic and musical creation and production working group within Arcom.

Financing of public broadcasting

Antoine Boilley, 46, deputy director of marketing and communication at France Télévisions, a group for which he has worked since 2001, was heard on Wednesday January 25, early in the morning, by the Commission for Culture, Education and communication from the Senate.

The name of the specialist in audiovisual communication had been proposed the day before by the president (Les Républicains) of the upper house, Gérard Larcher, replacing Carole Bienaimé Besse. The commission, chaired by Laurent Lafon (Union of Democrats and Independents), confirmed, Wednesday at midday, by 28 votes ” to “11 white ballots and 2 abstentions, his future arrival at the regulatory authority.

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Questioned by several deputies on the financing of public audiovisual after the abolition of the fee adopted in the summer of 2022, Bénédicte Lesage said she was in favor of a public audiovisual service ” strong “with a minimum constant budget, in order to be able to stay ” agile “ and go digital. However, she did not wish to decide between the desire of the Minister of Culture, Rima Abdul Malak, to remain on an appointed fraction of the VAT, and the hypothesis of budgeting, which raises questions in terms of independence notably.

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