Cinema, anatomy of a resurrection

By Etienne Sorin



Director Justine Triet brandishes the palme d’or received for her film Anatomy of a fall, Saturday, during the winners of the 76th edition of the Cannes Film Festival. SARAH MEYSSONNIER/REUTERS

ANALYSIS – It was said to be finished at the end of the Covid-19 pandemic, forever overtaken by the platforms. the mive return of spectators to the cinema, the enduring fascination for Cannes, shows that the seventh art has not said its last word.

The day before the opening of the 76e edition of the Cannes Film Festival, Ruben Ostlund confides in Figaro with unusual seriousness. The president of the jury knows the responsibility incumbent upon him. “The films that will be awarded will benefit from a wider audience, this will have consequences for society, explains the Swedish director. I will also remind the jury that we see works together, gathered in the same room. Cinema is a collective, social experience, the opposite of the individual screens on which we scroll the rest of the time. It is not yet known what impact it will have on society Anatomy of a fall the beautiful film by Justine Triet, crowned with the Palme d’Or on Saturday evening.

Double Palme d’Or (The Square in 2017 and Without filter in 2022), Östlund knows what he owes to the Cannes Film Festival. From film to film, he continued to expand his audience and gain recognition. As a showman who likes to make an impression with spectacular and provocative images…

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