Garouste’s color novels


Gerard Garouste, Pinocchio and the dice game (detail). private collection© Adagp, Paris 2022. Courtesy Templon, Paris-Brussels-New York. Photo Bertrand Huet-Tutti

CRITICISM – The Pompidou Center offers the painter his first retrospective.

More than an exhibition, it’s a journey into the subconscious of Gerard Garouste offered by the Center Pompidou *. The Parisian institution has brought together some 120 creations by the artist, both ambitious and intimate, over the course of a journey giving a good overview of his talent. The iconographic richness immediately charms, like the superb figurative illustrations of Old Testament or of The Divine Comedy. The designer once again brilliantly reveals his singular interpretation of other great literary classics, such as Gargantua and Pinocchio.

The diversity of themes and media seduces by willingly “jostling” the visitor. The only slight frustration: the absence of general information on the creative process of certain productions. A lack that in no way spoils the great outfit of this set hailed by the painter himself. “The curator of the exhibition, Sophie Duplaix, has done an excellent job, confides Gérard Garouste to Figaro Magazine. Myself, I could not have created an exhibition that came so close to what I wanted to express. Don’t miss this retrospective where a dreamlike and abundant pictorial language flourishes.

*Gerard GarousteParis 4euntil January 2, 2023.

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