King Creosote, Frank Zappa, Eddy de Pretto, iZem…


This week, we offer you four albums and a box set appreciated and reviewed by the critics of the music section of the World, marketed in November. In chronological order of release: the reunion of Pascal Comelade, Lionel and Marie Limiñana; a collection of auroral ballads followed by a long ambient piece by King Creosote; the box set reissue of one of Frank Zappa’s most famous albums; the third album by singer Eddy de Pretto; mixes of tropical soul, Latin songs, reggae, funk and hip-hop from music producer iZem.

“Boom Boom!” », the pion for musical playing of Pascal Comelade and The Limiñanas

“Boom Boom!”  », by Pascal Comelade, Lionel and Marie Limiñana.

In 2015, Pascal Comelade, Lionel and Marie Limiñana (The Limiñanas) collaborated to record an album, Treatise on triolectic guitars (for the use of sandy Portuguese guitars). Here they are back with Boom Boom!. Pascal Comelade on keyboards, violin, accordion… Lionel Limiñana on guitars and b, Marie Limiñana on drums and percussion.

We hear the sounds of psychedelic pop from the 1960s (organ, guitar), fine work on the repetition of rhythmic patterns or melodic lines, quotes that do not keep the non-specialist at bay, a pion for game, musical fantasies played seriously. With a taste for the title, not for the pleasure of the bon mot, but in connection with atmospheres: the scale of End of the world crossed by kinds of cries, The Return of Black Sabata between western and Mexico, the swirl of Canned Boxing SoloS. Yes.

Because Music (released November 3).

“I DES”, the folk-pop ghosts of King Creosote

“I DES” by King Creosote.

Born in 1967, the Scottish author and composer King Creosote, Kenny Anderson by name, has published around forty albums, around a hundred even, if we add his experimental works published on CD-R. A complex discography, but which contains some pop gems, notably Diamond Mine (2011), in collaboration with electro producer Jon Hopkins. This noble Stakhanovite, adept at DIY, flirts with indie folk, rock, electronica and ambient, and his new studio album seems more than ever to bring all these genres together.

If the last track Drone in B#, an ambient piece, stretches over 36 minutes, the compositions which precede it masterfully put the song format and this touching voice back in the spotlight. Nine auroral ballads with elaborate atmospheres (vibraphones, sampler, accordion, strings and electronic bows, etc.), mainly crossed by the theme of death (the poignant, but not devoid of light, Dust, Burial Bleak And Ideas…). It is surely no coincidence that I Des is the anagram of dies (“dies”). Fr. C.

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