Marion Motin, from Madonna at the Paris Opera


Trained in the school of hip-hop, this great dancer and choreographer refuses barriers, ping with the same contagious enthusiasm from Preljocaj, Stromae, Gaultier. Here she is for the first time at the Paris Opera where she presents The Last Calla piece with strong dreamlike power dedicated to this deceased and beloved father.

A Parisian morning under the sign of Saint Augustine, the man who said, if I remember correctly, necessity knows no law. The capital offered him a street and it is there, in a dark and vast ground floor, that the luminous presence of the dancer and choreographer Marion Motin shines, available at the first handshake. Open, enthusiastic, voluble in the variation of an already busy professional existence, while a new chapter opens which could seem intimidating to the layman: an invitation to produce a ballet at the Paris Opera *.

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Yes, necessity knows no law for this go-getter from Normandy, who nothing seems to slow down in her desire to explore all that body gestures can offer that is different and stimulating off the beaten track. Marion Motin sometimes forgets that she is sitting, coming to life with jerks of arm, shoulder and leg movements that…

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