“Tár”: Cate Blanchett impresses as a ruthless conductor


Chance of the calendar of cinema releases, it is not only “Divertimento” which is devoted to a conductor among the new films in theaters this Wednesday, January 25: Cate Blanchett plays the same role in “Tár”, by Todd Field. The parallel ends there.

For this composition, which has already earned him a cascade of acting awards at major cinema ceremonies, such as the Venice Film Festival where the Golden Globesand a new nomination for the Oscar for best actress, the actress embodies Lydia Tár, a conductor with modern methods practicing in Berlin, essential in her profession and revered throughout the world.

This tough woman with a rare smile, living with a musician from her orchestra, will be implicated in a case of abuse of power and favoritism towards a young cellist who attracts her. His fall will be spectacular…

The mechanics of power games

A harsh film, with sometimes radical biases, and a little too long, “Tár” turns out to be very impressive insofar as it scrutinizes the mechanisms of power games and the ascendancy – even sexual harassment – of a master on his student through a female character.

This is worth to the director Todd Field, in the small medium of classical music, anger and calls for a boycott, in particular of the fame Marin Aslop, of which this portrait would be partly inspired, who considers herself “offended, as a woman , conductor and lesbian”, and goes so far as to qualify the film as “misogynistic” and “anti-women”.

Critics that seem to be a misunderstanding, the film precisely wanting to dismantle these abuses via an unexpected figure, which, in reality, only has more significance. We will remember more the breathtaking staging and the staggering composition of Cate Blanchett in the title role…

Editor’s note:

Tar », American drama by Todd Field, with Cate Blanchett, Noémie Merlant, Nina Hoss, Sophie Kauer… (2h38)



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